He was a mighty hunter before the LORD; that is why it is said, "Like Nimrod, a mighty hunter before the LORD."
A sublime example of Elgar’s multipronged wordplay hinges on his use of the biblical name Nimrod for Variation IX. That elegiac movement portrays his German friend August Jaeger, a devoted champion of Elgar’s music at Novello & Company. In German Jaeger means hunter. Nimrod is described in the book of Genesis as "a mighty hunter before the LORD." At first glance the hunter reference seems sufficient to explain Elgar’s peculiar choice of nickname. However, there is far more to this puzzle to excavate. As an aside, it is interesting to note Nimrod is the seventeenth generation from Adam, and similarly the Enigma Theme is seventeen measures long. Are there other plausible explanations for why Elgar would invoke the name Nimrod for one of the Variations? Indeed there are, and they range from the poetic to theological.
The discovery Ein feste Burg (A Mighty Fortress) is the unstated Principal Theme to the Enigma Variations exposes Elgar’s multifaceted wordplay by giving the ninth variation the title Nimrod. The covert theme’s common title is three words long, and the first two are a mighty. With this depiction the scripture conveniently gives in order the first two words of the absent theme's title. Nimrod is mentioned by name in Dante’s Divine Comedy, and by deed in Tasso’s Jerusalem Delivered. Elgar makes various allusions to Dante's famous epic poem in the Enigma Variations with Variation IX serving an excellent example because Nimrod is described by Dante as inhabiting the ninth circle of Hell. Elgar penned a paraphrase from Tasso's epic poem at the end of the original score. In Jerusalem Delivered, Tasso describes Nimrod as a rebel who spearheaded the construction of the
. In the Old Testament Nimrod is described as a builder of mighty fortified cities – fortresses. His reputation as a builder is so well established that a famous medieval castle on northern slope of the Tower of Babel Golan Heights is known as Nimrod’s Fortress. Based on this analysis of the meanings attached to the name Nimrod, it is relatively easy to cull together the title A Mighty Fortress.
As a token of his gratitude, Elgar gave a copy of Longfellow's Hyperion to the conductor Hans Richter following the successful premiere. In the pages of that novel Longfellow mentions Luther and his sublime hymn A Mighty Fortress. No wonder Elgar thought the hidden theme would be quickly discovered, for he literally gave away the answer. Just the opposite was the case as the search lingered for 109 years before Ein feste Burg was unmasked as the mysterious missing melody.
|The Tower of Babel|
There is a theological explanation for why Elgar would employ the name Nimrod in the Enigma Variations. According to the Jewish historian Josephus, Nimrod oversaw the construction of the Tower of Babel. At the Tower of Babel, mankind was united by a universal language. As described in the Genesis account, God caused the people to speak a gaggle of languages, prompting them to abandon construction on the tower and disperse to populate the whole earth. That is why it was called Babel. Theologians describe this event as the Confusion of Tongues. In a letter written in 1900 to The Musical Times, Elgar described the Enigma Variations:
…As to myself the following are F A X about me. Just completed a set of Symphonic Variations (theme original) for orchestra – thirteen in number (but I call the finale the fourteenth, because of the ill-luck attaching to the number). I have in the Variations sketched portraits of my friends – a new idea, I think – that is, in each variation I have looked at the theme through the personality (as it were) of another Johnny.
By refracting the Enigma Theme through the personalities of his friends, Elgar generates a musical kaleidoscope of tone colors and textures. Like the confusion of tongues, the Enigma Variations are a metaphorical "confusion of notes" that conceals a hidden source melody and propels each variation off into new styles and directions. Every movement conveys a distinct musical language reflecting some trait of a friend pictured within. In a stunning parallel within the Enigma Variatons, Nimrod is followed by Dorabella, a movement in which Elgar pokes fun at at a friend's speech impediment, Dora Penny's stutter. Is this not an exquisite musical metaphor for the confusion of tongues symbolically and suitably placed just after Nimrod?
The description of Nimrod's most famous architectural project as the Tower of Babel contains a distinctly English element, one at the heart of Elgar's British heritage and enigma wordplay. It concerns the first two words of the phrase, "The Tower of Babel." There is a famous castle in London known as the Tower. Built by William the Conqueror following his successful invasion of England in 1066, it is officially known by the six-word title Her Majesty's Royal Palace and Fortress. For the sake of this analysis the key words are tower and fortress. The hidden melody to the Enigma Variations is commonly known as A Mighty Fortress, but William F. Bunting translated it as A Strong Tower. Consequently both the words fortress and tower are directly tied to the missing theme's title. The clues all point in the same direction towards Ein feste Burg. To learn more about the secrets behind one of Elgar’s most celebrated symphonic achievements, read my free eBook Elgar’s Enigmas Exposed.